Today is Aimée's birthday. I gave her
some gift cards and a little crystal elephant necklace last week when she came up to New Hampshire for a visit. Sounds lame,
but after 37 years, picking the right
gift is still as hard as finding the right words to express what she means to
me.
Nothing seems to measure up.
Fortunately, the universe sent me
inspiration.
….
Pregnant at 16 is not where I ever
expected to be, but there I was, eating
for two; my future – our future – unsettled. I imagined that
there was no way for me to be a competent mother. I had barely made
it through Algebra 2. Things between me and my boyfriend had ended before I knew there was a baby coming, and there was no looking back. Without much family discussion, it was understood that
the best thing for my baby was not necessarily me – not at 16.
By June, someone pointed me in the
direction of an adoption agency, the Children's Home Society of New
Jersey. I agreed to go to counseling sessions, to fill out the
preliminary paperwork – at around the same time the boy who had planned
to be my husband professed his eternal love for me and for my baby.
I told him he shouldn't give up his
freedom for the burden of a girlfriend with a baby.
He still never listens.
It was also around the same time I
began to sew an elaborate baptismal gown to dress the baby in for when
she left me, and the hospital. My intention was to relay a message to the fortunate woman who was to become her mother, who would recognize the love that went into every stitch. I wanted her to know that this baby hadn't come from just any wayward teen mom, but rather one who had managed to recreate her heart into the exact shape and size of a delicate dress, fit for an angel.
It was a true labor of love.
With no skills, beyond the basics of ninth-grade home-ec, I purchased a few yards of white dotted-Swiss, some lace and yellow satin ribbon. Not knowing if this would be a girl baby or a boy baby, I instinctively picked up two daisies to add to the coat of the three-piece ensemble, and five delicate buttons – three yellow luminescent ones for the overcoat and two tiny duck buttons for the back of the gown.
With no skills, beyond the basics of ninth-grade home-ec, I purchased a few yards of white dotted-Swiss, some lace and yellow satin ribbon. Not knowing if this would be a girl baby or a boy baby, I instinctively picked up two daisies to add to the coat of the three-piece ensemble, and five delicate buttons – three yellow luminescent ones for the overcoat and two tiny duck buttons for the back of the gown.
I labored over this project for weeks,
using my mother's old cast-iron sewing machine, a relic from the
1950s. It had a sticky foot pedal, a temperamental bobbin and a dull
needle, but I was not deterred.
By August, the outfit was finished, not
coincidentally around the same time I stopped meeting with the social
worker at the Children's Home, and around the same time I'd accepted
that the boy who planned to be my husband was truly, honestly,
whole-heartedly excited about being a dad.
By September 12, my beautiful baby girl
was born, and I had never felt so perfectly suited to anything in my
life. Loving her was more than instinct – it was like we'd been
together forever. Meeting was just a formality. I already knew
everything about her, from her familiar nose to her exceptionally
flexible toes.
By December, a dear woman from church,
Debby Clarke, had stopped by with a gift from the heart – unlike me,
she actually had skills and had sewn a beautiful baptismal dress for
Aimée, trimmed in pink, with a lacy bonnet. I didn't mention the
dotted-Swiss gown to her, and accepted it with sincere gratitude. By
January, Aimée was baptized in Debby's dress, and the three-piece
dotted-Swiss, already relegated to storage.
Over the course of my life I have lost track of plenty of significant items, some I have been searching for, with no luck, for years.
So when I went up to my closet this
morning, hoping to find an old photograph that might punctuate a
birthday post for my daughter on Facebook, the swatch of
dotted-Swiss draped over the side of a cardboard box under the weight
of some stored sweaters caught me off guard. I had almost forgotten
about it.
I tugged on the sleeve and pulled out the dress. Next to it, a pile of once-important papers was harboring a length of yellow ribbon. It was the little bonnet, which had somehow gotten separated from the dress. I instinctively clutched the fabric to my chest and started for the stairs when I heard myself sobbing. Halfway down I turned around and went back up to the closet, tossing sweaters from the box until I found the third piece, the jacket with the daisies and tiny yellow buttons.
I sat down on the floor and carefully
slid the sleeves of the gown into the jacket, noting the elastic had
lost its stretch. I snapped the snaps and smoothed the wrinkles,
running my finger along the hem, admiring the workmanship that I'd
forgotten went into this little dress that had never been worn.
I marveled at how beautifully the yoke
was seamed to the bodice, and how both hems were hand sewn admirably
straight. Somehow, with no guidance, I managed to attach the tiny
sleeves to the flowing garment without puckering the delicate fabric,
and judged the circumference of a baby's wrist, tacking elastic in
place, stitch by stitch, turning the cast-iron balance wheel of the
sewing machine by hand.
And that's when it hit me.
I will probably never in my life be
able to put into words what motherhood has meant to me, but if
pressed, I would say that it feels a lot like holding a three-piece
antique dotted-Swiss christening dress in my hands, a remnant of a place and time that changed everything. Every
stitch, a labor of love; sewn with the best of intentions, perfect in
all its imperfection.
Happy Birthday, my Beloved.
Happy Birthday, my Beloved.